Lady Gaga had four outfit changes, Serena Williams wore sneakers, Jared Leto used his own head as an accessory, Zendaya and her stylist came as Cinderella and the fairy godmother (complete with magic wand), Ezra Miller’s seven-eye makeup art was a look to end all looks, Sophie Turner and Joe Jonas were twinning in Louis Vuitton, and Billy Porter was carried like an Egyptian queen onto the red carpet by six shirtless men.
Each season during fashion week, I take part in a shameless, yet addictive practice I like to call shoe porn.
And I’m here on the blog today to share my fun with you. Step 1: Get a fabulous pedicure so you can properly imagine how you will look in your new shoes. Step 2: Apply an under-eye mask because dark circles do not go with Prada slingbacks. Step 3: Pour yourself a glass of pinot noir and raise it high to all the designers crafting shoes you’ll never be able to afford.
Disclaimer: Using your rent money to buy expensive shoes is a very bad idea. Let the record show that I encouraged you to give your wallet to a good friend while having this experience.
All my life I’ve waited for the American fashion elite to make tiaras publicly acceptable. Now, not only do I consider tiaras acceptable in every day life, I also apply this logic to halos and papal headdresses. The 2018 theme for the first Monday in May, “Heavenly Bodies: Fashion and the Catholic Imagination,” (or as I like to call it, “name that religious figure or artifact”) is far more straightforward than the themes of Met Balls passed. Some left little to the imagination, and some missed the mark by a mile: The Gucci crew (which includes Jared Leto and Lana Del Rey) came as the father, son and Mother Mary, Lena Waithe came as a flag, Katy Perry wore angel wings, Evan Rachel Wood came dressed as wings, Ariana Grande wore the Sistine Chapel, Selena Gomez wore essentially the same look she wore last year (while I did appreciate and admire the added bible verses), the Kardashians might as well have been wearing paper bags, Blake Lively ordered a party bus for her Versace mega masterpiece, and Rihanna unseated the pope. Read More
With 60 meters of red carpet to cover over two weeks, the Festival de Cannes is a diamond-studded showcase like no other. It’s one of my favorite annual events to stalk, right up there next to the Met Gala and the Oscars. Founded in 1946 and currently in its 70th season, the film festival is held each year at the Palais des Festivals et des Congres.
Whether the fashion industry had a sudden burst of adrenaline or the “avant-garde” theme opened up the floodgates of innovation, fashion’s favorite designers have made a stunning comeback from the 2016 Met Gala; the chrome robot army of yesteryear has blossomed into a chic flock of risk-takers. The challenge? Out-innovate Rei Kawakubo of Comme des Garçons—the first living designer to be honored by the The Costume Institute in a monographic show since Yves Saint Laurent in 1983, according to an Institute press release. Read More
I have a thing for themes—events, birthdays, dinner parties, holidays, etc. But, themes are only fun if everyone sticks to them. No one wants to be the only person in costume at a Halloween party. The same goes for the Met Gala, or Costume Institute Gala at the Metropolitan Museum of Art. Held on May 2 in New York City and co-chaired by Anna Wintour, Taylor Swift, Idris Elba, and Apple’s Chief Design Officer Jonathan Ive, was themed, “Manus x Machina: Fashion in an Age of Technology.”
When the cameras started flashing on the first Monday in May, a couture silver robot army charged the red carpet, and we were all a little confused. Fashion and celebrity culture fanatics around the world quickly realized either no one knew what Manus or Machina meant, or no one cared to dress in theme. I saw parts of Madonna I never wanted to see. Taylor Swift looked like Jenny Humphrey at prom. The event was one giant missed opportunity. I for one, expected more from Lady Gaga.